An art history lecturer, unfairly disgraced for refusing to certify a suspicious painting, endeavors to set the record straight by exploring the mystery of a 16th-century artist using a diary that may lead her to the genuine painting.
The drama, on paper, had potential. A mix of historical and contemporary narratives sounded intriguing, but the execution fell flat. The pace was slower than a snail's crawl, and the plot dragged on without significant development. The portrayal of the female lead's life in the past often felt overshadowed by the mundane occurrences of the present, causing a lack of focus and direction in the storytelling. While attempting to blend history and modern storytelling, the transitions felt disjointed, leaving me disconnected from the characters and their journeys. The drama's portrayal of the protagonist's life and the historical context lacked depth and failed to evoke a genuine emotional connection. The overall quality felt subpar—amateurish directing and filming made it hard to believe people were doing their jobs professionally. It's like they were clueless and just pretending. Such a shame that a big budget ($18+ millions) ended up wasted on this drama. The poor broadcast ratings weren't surprising at all. They even chopped off two episodes, probably to cut their losses. It shouldn't have been longer than 12 episodes max. It's almost like Lee Young Ae went on a very long hiatus to the point, when she returned, she no longer had any negotiation power and her agency just picked up whatever project they managed to get.
