I.S.S.

It's good. Coulda been better, but still good. 'I.S.S.' gave me enough. I do think it could've been paced better and had a bit more intrigue put in there, though what's produced is satisfying. The titular set looks nice and the zero gravity comes across as convincing, while the sound design et al. is all positive. For me, the cast are very solid. It perhaps could've done with a true star performer as no-one stands far and above their co-stars. Ariana DeBose is more than solid, she is the best of those onscreen; albeit narrowly so. Masha Mashkova and Pilou Asbæk are decent, as also are Chris Messina and Costa Ronin. Nothing spectacular evidently, though this release is a perfectly watchable sci-fi flick. I'd recommend it.

It’s unfortunate that a good premise can’t be saved from poor execution, but such is the case with this undercooked sci-fi thriller. When three Americans and three Russians aboard the International Space Station are stranded there when war breaks out between the two countries on Earth, the previously congenial crewmates turn against one another when the two teams of astronauts each receive orders to take control of the facility at any cost. The question in this, of course, is why? As a scientific research center, what material value would there be in taking charge of a remote space-based facility to the Earth-bound survivors of a war-ravaged planet? While the reasoning behind this is eventually explained, its revelation is delayed, leaving viewers with a drawn-out mystery that doesn’t make much apparent sense, especially when taking control calls for a team of intelligent, convivial, supposedly mature scientists to instantaneously turn into murderous territorial thugs. And, even when the big reveal is finally made, it seems like it’s hardly justification enough for this kind of behavior from a group of individuals who are allegedly more psychologically evolved and have supposedly risen above the infantile geopolitical bickering of their counterparts on terra firma. That’s particularly true in light of the many (and I do mean many) references to the crew’s “enlightened” outlook and assumed solidarity, qualities that are repeatedly browbeaten into viewers in the film’s opening act. The fault here lies with a rather lame narrative and a screenplay that doesn’t do much to overcome that failing. The special effects are also somewhat underwhelming for a sci-fi offering, one in which the filmmakers could have done considerably more to make the picture more visually engaging. Sadly, director Gabriela Cowperthwaite, perhaps best known for the superb documentary “Blackfish” (2013), is in over her head with this release, a project that really could have used a more skillful hand in making it the kind of edge-of-your-seat thriller that it deserved to be. Instead, audiences are left with a mediocre sci-fi tale that feels more like something one would find on the SyFy Channel or some other B-grade cable network. You won’t miss much by skipping this one.

I loved this movie and gave it a 8/10 for accomplishing many things for me: - totally believable that this was filmed in space on the I.S.S. - mostly believable characters but I'd change some perfection on the set - I'll never get the moment out of my mind about first seeing a "volcano" from space - it ended appropriately, as it's difficult to find a "perfect ending" - so much introspective that all humans have the capability of doing ruthless things - Sci-Fi totally believable thriller from start to end. (8/10) P.S. If you liked this, you'd also probably like High Life (Mia Goth).