Gentlemen Prefer Blondes

Gentlemen Prefer Blondes

By

  • Genre: Comedy, Romance
  • Release Date: 1953-07-14
  • Runtime: 91 minutes
  • : 7.3
  • Production Company: 20th Century Fox
  • Production Country: United States of America
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7.3/10
7.3
From 960 Ratings

Description

Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.

Trailer

Reviews

  • CinemaSerf

    7
    By CinemaSerf
    Well there's a transatlantic voyage, a missing tiara, a private detective; a pair of sparkly dancers and a little courtroom drama - so something for just about everyone as we follow the antics of two American showgirls trying to make a living after the war. "Dorothy" (Jane Russell) and "Lorelei" (Marilyn Monroe) are working their passage as the latter woman takes a bit of a breather from her incredibly wealthy but just a little possessive fiancé "Gus" (Tommy Noonan). It's his millionaire father who is distinctly suspicious of his son's choice of bride so he's the one who hires the PI and so you just know there are going to misunderstandings galore on that front. Meantime, "Dorothy" has managed to attract the attentions of the American Olympic squad - a lot of fit, scantily clad young men who make her feel like a million dollars. Despite them being offered different temptations along the way, the two stick together like glue in the original depiction of "sisterhood"! To be honest, the story isn't the best - it's an hybrid of lots of familiar scenarios all stitched together rudimentarily with the purpose of delivering an amiable vehicle for two women who do know how to entertain. 'Diamonds Are a Girl's Best Friend" is the show-stopper from Jule Stein and Leo Robin amidst an otherwise rather unremarkable array of rather formulaic song-and-dance numbers, but these two do their own singing and synchronise perfectly as they dance their way through half a dozen numbers en route to a denouement that allows Norma Varden to get up onto her most snooty hind legs and for Charles Coburn to complete his few enlivening scenes as this thinnest of stories sails along effortlessly but, I have to say, forgettably. It is a classy looking film and oozes a charm that's well worth a gander.

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