The Father

“The Father” gives its audience a fully immersive experience with the frustrations of dementia in this stage-to-screen adaptation of Florian Zeller‘s 2012 play. Making his feature film directorial debut, Zeller gives the project a personal touch with much emotional gravity, as he’s so intimate with the source material. The film has the look and feel of a stage play, but it thrusts audiences into the main character’s head in a way that only the medium can achieve. Anthony (Anthony Hopkins) is growing increasingly confused in his day-to-day activities. At first he can’t remember where he left his watch, but later he doesn’t know if it’s morning or night. The man sometimes doesn’t recognize his daughter Anne (Olivia Colman), and he confuses his caregiver Laura (Imogen Poots) with others in his life with increasing frequency. As Anthony’s mind continues to decline at an alarming rate, he starts to have severe mood swings that are brought on from the frustration of his lifetime of memories slipping away. He refuses assistance from Anne, who is trying her best to help him cope. Change is never easy, but Anthony’s paranoia grows as the fabric of his reality unravels. The film features excellent turns from Hopkins and Coleman, two seasoned actors who carry the dialogue-heavy film. It’s fantastic work from both of them. Zeller puts viewers into Anthony’s shoes, adopting the old man’s mental state as he questions what’s real and what’s imagined. You’ll begin to wonder if his daughter and nurse are playing cruel games on him, with a sense of doubt that’s contagious. Something isn’t quite right, and the conflicting distractions offer a puzzle with no easy solution. The intentional misdirection is a bit gimmicky and the pacing slow, but “The Father” paints a poignant and effective (if depressing) picture from the point of view of a person struggling with dementia.

'The Father' is a standout during this very bland awards season, but just because it's both a critical darling and awards frontrunner doesn't take away from the emotional power and stellar performances for Colman and Hopkins. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-the-father-a-deeply-moving-look-at-mental-illness

Incredible performances from Anthony Hopkins and Olivia Colman! 'The Father' makes for a rather heart-breaking watch, it's very clear from the get-go where the film is heading but that doesn't stop it hitting directly in the feels. I've fortunately never been around someone with what this film depicts, yet it still came across as very realistic - based on what I have heard about the condition. Hopkins is utterly superb in the lead role, which is what I expected given I had heard about this 2020 flick back when it won the big gongs. Something I hadn't heard about, though, was Colman's performance - which is absolutely fantastic, particularly in one emotional scene alongside Hopkins and Imogen Poots. A very saddening but brilliant film, cleverly portrayed too.

‘The Father’ is an incredibly moving film that leaves you as confused in time and place as the main character (an incredible Hopkins), allowing the audience to experience - if only a little - what it must feel like to have dementia. 9/10

Anthony Hopkins's performance in The Father is bulletproof. This is fortunate, because he encounters what the military calls 'friendly fire' resulting from a baffling decision by co-writer/director Florian Zeller, who has a couple of characters played each by two different sets of actors. Thus Anne, Hopkins’s character’s (also named Anthony) daughter is played by Olivia Williams and Olivia Colman (who at least share some physical resemblance), while Anne's (ex)husband Paul is played by Rufus Sewell and Mark Gattis (who are like day and night). No wonder Anthony is so confused – as are we. There are certainly precedents for this type of casting, the most famous of which is That Obscure Object of Desire, in which Luis Buñuel alternates the role of Conchita between Carole Bouquet and Ángela Molina – but then Buñuel was a prankster, whereas The Father's theme of senile dementia is very serious and deserves to be treated accordingly. Now, I’m aware that it’s only natural for Anthony to think that his nurse is also his daughter, but the source of his confusion should be that the person he believes to be his daughter behaves like a nurse, and not the other way around. It would make more sense, comparatively, for Colman to play Anne and the nurse, and for Williams to only play the nurse, but not Anne. On the other hand, it doesn't make sense that the first time Anthony fails to recognize Anne we can't recognize her either, because then we think there’s something fishy going on. It would be far more dramatically effective if the actress Anthony doesn't recognize as his daughter is the one and only whom we identify as Anne. The protagonists turmoil is internal, and it’s Hopkins's duty to externalize it – of which the actor does a flawless job. The film's mise-en-scène works better to convey Anthony's cognitive impairment but, again, it is the character's mental feng shui, or lack thereof, that interests us, and which Hopkins expresses unequivocally through a masterful combination of oral and body language. It’s not that he's the best part of the movie; he is the movie. Hopkins puts on the proverbial clinic; his is a heartbreakingly beautiful performance, a veritable emotional roller coaster with sudden highs and unexpected lows. The Briton’s acting is all the more impressive because he makes it look easy – I mean, like Brando easy. And yet, it's as if Zeller doesn't quite trust Hopkins to make his vision a reality, hence all the visual gimmickry that hurts more than it helps (to paraphrase Jorge Luis Borges, saying something too much is as bad as not saying it). This is most unfortunate because Hopkins's talent for storytelling remains as powerful as ever – perhaps even more so.

We, as "normal" people, cannot imagine what really goes on inside the head of those suffering from more advanced dementia. We only know for sure what is reflected by caretakers and psychiatrists. Yet, Florian Zeller has done a tremendous job of immersing us in what may be the experience of one suffering individual. As a caretaker of two parents who both went this way, it is about as accurate an experience as we will ever come to understand. This is a powerful drama, made real by an absolutely amazing acting by Anthony Hopkins.

The Father is a brilliant film. Fantastic performances all around, amazing editing, and cinematography that creates confusion for not only the audience but our main character. This story is so touching and incredibly tragic, it had me tearing up at multiple points. Not only do the emotional points work, but this film also creates an almost horror aspect of Alzheimer's that is quite frightening. It really made me sympathize for those with this disease and fear for the potential future of myself losing my memory. Score: 92% | Verdict: Excellent