A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.
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CinemaSerf
7
By CinemaSerf
Elizabeth Banks ("Joy") and her husband "Will" (Chris Messina) are rather joyfully expecting a late arrival into their 1960s family when it transpires that she has an heart condition that her doctor suggests could prove extremely perilous so long as she remains pregnant. Desperate, she turns to "Jane" after reading a billboard that suggested there may be help at hand. $600 and a visit to "Dr. Dean" (Cory Michael Smith) and all may be dealt with? Not if "Virginia" (Sigourney Weaver) has anything to do with it for she is the facilitator of a small group of women determined to help others who find themselves in a similar predicament. Of course it's all illegal - and the film now takes on a frequently darkly humoured trip that sees this initially rather reticent (and innocent) woman realise that more needs to be done, and to take some, frankly, rather innovative and courageous steps so to do. As far as the integrity of the medical science goes, I suspect this is massively over-simplistic, but in light of current events in the United States, it does shine a light on the difficulties families (single or otherwise) have in obtaining adequate and affordable medical care when they are faced with the unpleasant realities of an unwanted pregnancy. There is the odd bit of politicking going on - the prioritisation of victims getting support proving quite a potent source of debate and that, too, does offer food for thought. Banks reminded me of Elizabeth Montgomery from "Bewitched" for much of this; Weaver, though not exactly prominent here, offers a bit of depth and there is a strong effort from both the increasingly bamboozled Messina and from Wunmi Mosaku's "Gwen". It does begin to recycle itself a little towards and ending that didn't make a great deal of sense to me and the conclusion, despite this being over 2 hours long, seemed a bit rushed - but it is still an entertaining piece of cinema with an underpinning message that is probably more relevant now that for many a year.
