Florence Foster Jenkins

**One of the best and most elegant comedies I've seen in recent times. Bravo! Bravíssimo!** There aren't enough adjectives for someone like Florence Foster Jenkins. On the one hand, it's beautiful to see someone who doggedly pursues the dream of a lifetime. On the other hand, the technical incapacity of this well-meaning and friendly lady for the task to which she so wanted to dedicate herself is quite evident. She didn't know how to sing, she didn't really care about it, and she wouldn't allow anyone to try to advise her against. As she said before she died, no one can say she didn't sing. I don't know exactly if the film was faithful to the real Foster Jenkins… I don't know her life and her historical figure that well. However, I want to believe so. The movie is truly funny, and the script is delicious. This movie had everything to not be very interesting, but it turned out to be a little gem and one of the funniest family comedies I've seen in a long time. Interestingly, it never addresses an issue, which is Florence's poor health, greatly affected by the syphilis she contracted from her husband, from whom she soon separated, and which she never treated properly. The dialogues were very well written and deserve to be listened to carefully. But what makes this film truly precious is the extraordinary performance by Merryl Streep. I have no doubt that it must have been difficult for the actress, who has good vocal qualities, to sing so badly, but she is deeply committed and gives Florence Foster Jenkins an unusual and extremely pleasant sweetness. In fact, Streep even seems to have fun with this job and her character. Hugh Grant, back in the movies after a break in his career, is also in good shape and does a good job. A further note for the good support work by Simon Helberg, Rebecca Ferguson and David Haig. Technically, the film relies heavily on the adequate and historically accurate recreation of the entire historical period in question. I really liked the cars, the sets and the costumes, particularly those designed for Streep. The cinematography is good but understated, and the effects do their job without distracting us from the humor, witty and elegant. Alexandre Desplat writes a very competent soundtrack, but the film would not work well without the priceless and hilarious performances of Streep and Helberg, in singing and piano, recreating as far as possible some of the still existing recordings of the true “diva of din”, the which can be heard over the end credits, where some authentic recordings were used.