Aguirre, the Wrath of God

Aguirre, the Wrath of God

By

  • Genre: History, Adventure, Drama
  • Release Date: 1972-12-29
  • Runtime: 95 minutes
  • : 7.472
  • Production Company: Werner Herzog Filmproduktion
  • Production Country: Germany
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7.472/10
7.472
From 1,097 Ratings

Description

A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.

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Reviews

  • CinemaSerf

    7
    By CinemaSerf
    Based (loosely) on fact, Werner Herzog takes us on an escapade through the Amazon jungle looking for the legendary El Dorado. Expedition leader and conqueror Pizarro despatches a forward troop to clear the way and gather some intelligence, and that's led by "Don Pedro" (Ruy Guerra) and his rather demonically focussed sidekick "Aguirre" (Klaus Kinski). This is an arduous and hazardous journey and the boss soon decides he wants to turn back. "Aguirre" is having none of this and so we have a change at the top and they force their way deeper and deeper into this hostile terrain with just about everything - man and beast - lined up against them. Kinski is super here portraying a man whose grasp on reality was at best limited when he started, but after months in the fever-ridden forest with his supplies running out and his men picked off one by one, we have to wonder if he had any hope of finding his city of gold in the first place let along ever making it back to tell! The cinematography is breathtaking - from the opening scenes of the Andes mountains through to the brutality of their trek - on their rickety raft with it's own toilet cabinet - the photography captures in increasing detail the descending madness on the faces of the men and the unforgiving nature of the wilderness. We can almost taste the beads of sweat running down their faces and share their joy when they find fresh water or sense a degree of hope. This imagery tries to convince our brains (and his, too) that maybe, just maybe - around the next bend? It's a film that allows Kinski to shine and offer us a performance with this character that made me shiver at times. I never liked him, he's a brute - but respect? Well, maybe... There is plenty of action to complement their quest, but there's never really any jeopardy - perhaps this is the most object lesson in futility?

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