Henry II and his estranged queen battle over the choice of an heir.
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CinemaSerf
8
By CinemaSerf
Katherine Hepburn is simply superb in this depiction of the truly dysfunctional relationship between Eleanor of Aquitaine, the estranged queen of England's King Henry II and her spouse. Peter O'Toole reprises his characterisation from "Becket" (1964), and together they spar and spat with aplomb. Aided by a wonderful screenplay from James Goldman that is full of sarcasm, pith and some wonderfully effective (and brutal) put-downs, we play through this most bizarre of family dynamics. It all centres around a Christmas court for which the Queen is released from her Salisbury house arrest to join the couple's three sons: the ambitious, but sexually ambiguous Richard (Anthony Hopkins), the King's favourite, but pretty weak John (Nigel Terry) and the clever, silent-type, Geoffrey (a lovely, understated, effort from John Castle) at Chinon, where they will also be joined by the young and naive Philippe II, King of France (Timothy Dalton). Director Anthony Harvey now presents us with a stylish and quickly paced illustration of just how this devious, untrustworthy and potentially murderous family were prepared to conspire and manoeuvre to ensure who, eventually, succeed to the English throne. Hepburn and O'Toole have a distinct and effective chemistry between them. She has the best lines, I think, and delivers them with a razor sharp wit - you are never quite certain what either she, or her equally and skilfully manipulative husband are plotting as the sons prove to be pretty selfish, fickle and sometimes quite imbecilic. The film looks great, the sets and costumes are spot on and the whole thing offers an excellent appraisal of the antics of a collection of shrewd 12th century despots.
