A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
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Reviews
badelf
10
By badelf
It has been said that when Oppenheimer witnessed the first atom bomb test, he said, "Now I am become Death, the destroyer of worlds." This may actually be a mis-translation of the Bhagavad-Gita, which deals with illusion and impermanence. Nevertheless, the sentiment that great achievement in science, like great power, carries great responsibility, remains true.
Yet to date, homo sapiens has consistently shown that it is not ready for this dilemma. The string of films and sci-fi novels that deal specifically with this subject is long and varied with many excellent examples: Lang's Metropolis, Robert Wise's The Day the Eartch Stood Still, The Terminator, Blade Runner, and Ex-Machina to name just a few.
Akira is another, very well-done, classic in this field. The story-telling, the themes, the action, and especially the jaw-dropping animation are masterful, and likely unequaled in the genre. The animation alone is a magnus opus.
Filipe Manuel Neto
2
By Filipe Manuel Neto
**Technically very good, but so confusing that it doesn't work.**
I'm 33 years old and my childhood saw the popularization of Japanese anime in Europe and the West thanks to hits like “Dragon Ball” and others. However, I have to say that, even as a child, I hated this type of highly stylized animation, so different from what I was used to seeing.
Even so, it is necessary to grant this film some value. The animation it brings us is of excellent quality and very well designed, and the perfectionism typical of Easterners is clearly evident in the attention given to the smallest details, scene by scene. As has been the hallmark of modern anime, it has a lot of action and moves in a futuristic, dream-like environment, much to the liking of the Japanese. In fact, it is quite remarkable that they are a people so attentive to the future and so respectful of their own traditions and their past... a good example of how both things are not incompatible, quite the contrary, a sign that we can build the future without cut with the past.
The problem with this film is that, until now, I haven't been able to understand the story. It's confusing, and the feeling I got is that the creators focused so much on the action and technical execution of the drawings that they totally forgot to do all of this based on a logical story, capable of being followed without difficulty. Is there something that I, with a Western mindset, have not been able to understand? I don't know. I just know that this film, regardless of its technical value, didn't work for me.