Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, Thao Lor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.
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Reviews
Matthew Smith
7
By Matthew Smith
Clint Eastwood is a good director. I've seen ten of his films, one of them being “Play Misty for Me.” A film that I think is incredible. But like any director, Clint’s films can vary in quality. In the case of “Gran Torino,” it's a good film, but probably not one I'm going to rewatch very much. Clint Eastwood and Bee Vang put in great performances. Walt, played by Clint Eastwood, is a tough character to watch. His prejudices are the main reason for that. This is my view of the character, of course, so how you feel about him depends on your views. I think the ending of the film works. It's a decent end to Walt's character journey.
CinemaSerf
7
By CinemaSerf
It's curious that the main English language awards largely ignored this, yet it won both a David and a César in Europe and is definately one of Clint Eastwood's more characterful efforts. He is the curmudgeonly "Walt" who has recently lost his wife, has an arms-length relationship with his son and looks disapprovingly as his neighbourhood ceases to be the home of "Americans"! His prize possession is his Gran Tornino car and he doesn't take to kindly to Bee Vang's "Thao" (or "Toad") trying to pinch it. Quickly, though, he sees that this young man and his sister "Sue" (Ahney Her) are being bullied by their thuggish extended family - a gang of obnoxious would-be gangsters who drive the streets picking fights and taunting people. He decides to intervene and the rest of the story sees a bond develop between him and his new "family" based on a degree of mutual understanding, trust, and "Toad" becoming his slave for a fortnight by way of penance! We are given some clues along the way as to the grand designs of "Walt" as he sets up a denouement, after a brutal assault on "Sue", that will satisfy not just himself, but keep his neighbours safe too. It's not the most naturally written dialogue, indeed at times it's quite forced but the underlying premiss of bigotry and the attitudes of intolerance and bullying are well addressed. The characterisation of the distant and prejudiced "Walt" is delivered engagingly, and with some dark humour, by a star/director who has a point to make. There's also quite a gently potent effort from Christopher Carley as the local priest. He is trying to offer the perfunctory words of hope and comfort to this veteran and he perseveres despite the dog's abuse he receives from a man who no longer feels it necessary to commit to the niceties of society. Clearly, "Walt" cares little for what is left of his life nor for any of his sins to be forgiven. It's about grief, relevance, community and I think it works. Give it a go.
