Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde

By

  • Genre: Fantasy, Horror
  • Release Date: 2017-01-31
  • Runtime: 83 minutes
  • : 4.2
  • Production Country: United States of America
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4.2/10
4.2
From 6 Ratings

Description

The Strange Case of Dr. Jekyll and Mr. Hyde is really just as much the story of Gabriel John Utterson, a lawyer and good friend of Dr. Henry Jekyll. More importantly, Utterson is a Victorian Gentleman, who is guided by a chivalry-like code to remain loyal to his friends and maintain his status in society. It is loyalty that drives Utterson to play detective in an effort to protect Jekyll from the malicious and scheming Mr. Hyde. Eventually, Utterson finds himself introduced to a world that he is neither ready to enter nor accept. The story takes place in Victorian-era England, after the Industrial Revolution. Utterson, a lawyer, and true Victorian Gentleman, discovers that his long-time friend, Dr. Henry Jekyll, has become involved with a mysterious and dangerous man named Edward Hyde. Jekyll is a tall, handsome man with a very high social status, which he is expected to maintain. Hyde is a complete opposite, short and vulgar, with an unidentifiable deformity.

Trailer

Reviews

  • CinemaSerf

    7
    By CinemaSerf
    I'd have to admit that John Barrymore was certainly no oil painting. Unlike so many silent-era film stars, he could actually act, rather then just look longingly into the camera and/or the gal's doey eyes. Here he portrays Robert Louis Stevenson's eponymous characters with quite some menace and skill. The story of the eminently respectable "Jekyll" who is fascinated by the human psyche and who experiments with mind/body altering drugs, discovering his inner and pretty unpleasant id in "Mr Hyde" in the process. There now follows a battle royal between the two personalities, the decent and the monstrous, and it rapidly becomes unsafe for those around him - including "Millicent" (Martha Mansfield), whom "Jekyll" loves, and even music hall girl "Gina" (Nita Naldi), the object of the desires of his alter ego. Barrymore is great, here - though some of his transformation scenes did remind me of a rather crazed Richard III playing an invisible piano. Using some dark and dingy locations, the clever use of shadow and Barrymore's own ability to create a considerable sense of menace, this really does have the hairs on the back of your neck paying attention. The visual effects are effective and John Robertson gives us a good solid, adaptation of an eerie, provocative story that still captures the imagination now, but without the characterisations being compromised or overly relying on CGI and the like to distract us from the on-screen antics. Whilst I wouldn't say it was the best - the 1931 version was a cracker too, it is one of those stories that resonates now, as it did then, and this is a terrific interpretation.

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